Stitch Workshop

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Week 1

In the first week we got introduced to the machines we were using and how they work and how they are used correctly. I’ve been using a sewing machine for quite a while now but i still learnt afew things i didn’t know when threading a machine.

First main thing i learnt is to always tread the machine with the foot up or the tension plates in the machine won’t get hold of the thread to keep the tension correct. I knew not to tread it with the foot down but didn’t know why.

The other thing is when putting the bobbin in to the bottom of the machine you should look for a “P” so the cotton on the bobbin comes down on the left before you thread it into the

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machine or the bobbin might not work or might create loops on the bottom of the machine.

After we learnt about the machines and threading we were aloud to go and play with different stitches and size of the stitch that everyone enjoyed doing. Just getting used to

the machines was good meant that we could get used to the feel of the machine the speed and the controlling of the machine.We did this on Calico which was nice and easy to use and we didn’t need to worry about material bunching up or anything like that.

My machine testing started out with just straight lines then decided to add curves to mine and see how i could fill them in with different stitches which i found interesting getting to see how stitches work on corners and how you had to position it which was always a problem with me on a sewing machine.

After playing on the machines we then got to try free hand sticking. We learnt how to change the foot on the machine and then how to put the material in the machine in a

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embroidery hoop to keep the material taught so that it doesn’t snag. we also got told how to put the teeth down on the machine so that the free hand embroidery goes smoother rather then the machine wanting  to push the material backwards like it does when you use the sewing machine normally.

My free hand stitching ended up being bunting and then a little element of the colosseum. It was more just to play with how it looks and how i can layer it and use different stitches when free handing it .

I really enjoyed this workshop so far its been really interesting and i learnt things i didn’t know even though I’ve used sewing machines before. this weeks was very informative but hopefully next week we will be bait more free to play on the machines how we want.

 

Week 2

This week we got to play on the machines doing more free hand stitching but the free hand stitching was done on some dissolvable material which means once the sewing has been finished you cut away the excess and then submerge it into water for more then 30 mins other wise it will be sticky and then stick to its self.
The material is made out of PVA so when water touches it, the material starts to dissolve in to the water once all the material dissolves it just leaves the stitches in a lace type pattern, so it just leaves the cotton that has been

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stitched into the material.

My pieces I did in the workshop were very simple the first one i did was a take on a piece of lace i saw a while ago. This took me a while to gethe layers but i found once it had been submerged in to the water and left a few bits that hadn’t been stitched completely so it meant that a few bits on the first one i did came undone a little bit which meant that there are a few bits that don’t follow the shape i originally went out to get.

The second one i did was done a little quicker but done a little

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different. This one I did a little quicker then my first one because i was running out of time in the day but i was still happy with how it turned out. i just stitched around the inside of the embroidery hoop and then added a little extra bits of decoration. I then found that it might of been a little flimsy to be able to hold the structure on its own so I sewed it on to another bit of calico to hold the structure. i think that i should of

This weeks work shop i found really good and that it was good fun playing with the dissolvable material and think i might play a bit more with the dissolvable material to try and make some more elaborate pieces of lacework.

 

IMG_0937Week 3

This week we did some more disolvable stitch work but this one was was 3D . so we stitched the pattern on to the disolvable material again but instead of it going in the water till it had completely disolved you only put it in the water for a few mins till the pva starts to disolve but is sticky. you then mold it on to somthing i used the bottom of a glass to let mine dry on. you then let it dry for a while till its completely stiff. but with mine i let it dry for a little while then i pulled the edges up and made like a lip on the stitch so it meant that i then just pulled it off the bottom of the cup and turned it up the other way and placed it on the inside of the glass to let it support the edges i had just done.

 

 

 

 


The Future of Sonic arts Credo?

Key Note by Dr Alexandros. Kontogeorgakopoulos.

NOTE:  I do not own the links I’ve included in the blog I’ve just found these bits on the internet.

At the beginning of the lecture we listened to a bit of Beethoven, we then listened to John Cage -“Water Walk”.  John Cage’s video was very interesting it made me thing about how everything makes noise just people are more likely to use old school interments rather then using a dripping tap on their song.  He was giving music a new dimension in the 1960s and made people think.  John’s idea was that the future of music wasn’t just set round instruments that have been made the same way for 100s of years but to something so simple that he could make music out of anything.

John Cage- “Water Walk”-

We then had a listen to Iannis Xenaleis his work compared to Beethoven is huge.  Beethoven used scales and sounds that created a free flowing melody but Iannis used a mathematical equation which he then some how transferred to notes and chords and then used a normal orchestra to perform his songs.  Iannis also used the mathematical equations for the music to also create architecture and art.

Iannis Xenaleis- “Metastasis” – http://www.youtube.com/watch?v=SZazYFchLRI

The next person’s music we listened to was Pierre Schaeffer.  I thought his work was really interesting because his music was well before his time.  He was mixing music like some artists do nowadays with different sounds that he would of had to record then mix them, unlike today normally you get a simple set of sounds and beats where as he would of had to make his own.  He’s like the DJ of his time.

Pierre Schaeffer- “Apostrophe” – http://www.youtube.com/watch?v=q2o9VyuJSD4

Back in the day when people started writing music down on paper it was a huge breakthrough and then as machines came in at first they were made to read the music but they didn’t go very far. Then people started making their own machines to play different music on.

The electronic music of back then was more university music because of people that age were new to it and were developing it, so they found it was more popular in universities.

When electronic music started to become more popular and computers because more home bound, electronic music started being made more along with more programmes that people were making to make their own music.

We then looked at more Sonic Arts. The first person we listened to was Michel Waisvise and his “instrument” The Hands. they are a computerised hand selts that you can record sound and then change the pitch and the way it plays, like if you wanted to to play in the background as a back beat you can change that. i found that reall interesting how you can get somthing like that to work for a live music element. On the original clip we saw he used the claps from the audience, but i couldnt find that one but found this one with another one of this pieces called the Crackle Synth.

Michel Waisvise- The Hands- http://www.youtube.com/watch?v=U1L-mVGqug4

The next person we listened to was Imogen Heap. The video we watched was watching her explain what is on the gloves so using these gloves she can make music and remixes of her voice so similar to Michel Waisvise. but hers look a bit more developed to the pint that they looked more just like a pair of gloves but she had a lot more movements to hers with that she can bend her fingers and that does something for the music then giro scopes to change the effects and play base and then to play scales of music notes.

Imogen Heap- Gloves http://www.youtube.com/watch?v=Ne4NZEtjLkg
This link she explains it a bit more and then a song at the end called “Me the Machine”- http://www.youtube.com/watch?v=6btFObRRD9k

I found this lecture really interesting just because of the way it was talked to us more then anything then we had the clips that made you think about what was happening and how these things were done. I also found it really interesting how the music was actually made. and the way that it could of been created at a computer screen when actually like some of the artists made the music on stage while they were performing.


Nervous System

Nervous System is a design studio that works with Art, Technology and parts of Science. They use computer programmes to generate designs to create products. Their inspiration draws from natural Phenomena, they write computer programmes based on processes and patterns found

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 in nature and use those programs to create jewellery, house wears and art.  The programmes that they have created are on their website to show you show their products are made but also so that the customer can create their own one off piece of work to wear or have around their home.

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I first saw some of their work on Designboom this video was on the Design boom website that I found really interesting and i just loved how it grows to create the piece. Video on the making of some of their jewellery .

The products are created though a Interactive and Experimental process. they wrote a pattern generating algorithm though which they explored their ideas and created their finished product.

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I haven’t been able to play with the software that they have on their site to make your own jewellery because my computer doesn’t support the programs that they have used but i just watched the videos a few times on the page just looking at how some of the things were made and what you can actually do to the codes. The things that they show on the video look really interesting and unique. The videos they have on their website the codes and programmes they’ve written look relatively simple and easy to use to create your own piece of jewellery. The page to play with the soft wear that they have created is called tools. On there you can try the three different programs they have and have a see what you might want as a piece.
 
After looking into the actual studio I feel very inspired to create something similar to this maybe themed round more towards maps maybe thinking about roads and water.
 
I DONT OWN ANY OF THE PICTURES , VIDEOS OR LINKS ON THIS POST. IVE USED THEM TO SHOW MY POINT AND THE INFORMATION THAT IM TALKING ABOUT.

Clay Building With Claire Curneen

 

Claire Curneenclaire studio

This is Claire she is a ceramisist. she does alot of clay building and we were lucky enough to have her for the day after a artist lecture today she did for us today. The work shop she gave us was clay building. she showed us how she makes her angels.

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In the morning she showed us her making and she gave us a little peak into how she makes her angels by making a base out of the clay. then making solid feet with a little hollow at the back for the legs. she then creates a little little slab in her hands, hits the bottom on the surface she is working on then puts that on the foot and smoothes it in she then carrys that on going in the right direction for the legs and she can then shape them how she wants them. and she just carrys on like that working up the body. the whole body ends up being hollow. which i think is amazing looking at them because they look like they are solid and then molded.

After she showed her technique to us, she showed us how to use it to make trees. it was basically the same except that you dont have to bring two bits together at the legs and you dont have to figure out how to add arms on. all we had to do was build it up to a point and then add some branches to it.

 

1463744_10151833358263171_2049603625_ni had done some clay building before but the clay building that ive done before was coil building where you roll out sausages and then build it up like that smoothing it on the inside to keep the coiled look on the outside. For this i smoothed mine out on the outside of the tree because i didnt like the look of the little slabs of clay on it. 1424494_10151833358638171_297444277_n

The first tree i did didnt go well it was really big and then it decided to colaps right in the middle but it colapsed in on its self so i couldnt save it. so a full afternoons work went down in piles of clay. so the pictures of the tree i have are pictures of my second attempt which turned out smaller then the original one i did but it turned out ok.

i think the original one i did i had made the slabs too thick as i got close to the top so it meant that it very heavy close to the top.

the branches were simple to make they were just rolled out and then attached on to it. i then rolled out a thin sausage and made the hollow on the tree then smoothed that out a little bit.

 

 

 

 

 

 

 

 

 

 


Wood Workshop

In the first wood workshop we did see were just getting used to the machines and the health and safety of a new uni and as much as the rules are generally the same you have got to learn them all before you can use the equipment. The induction to the wood workshop was really interesting the ted den has lots of gory stories that he told

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us to make us think about the safety precautions that are in place for a reason.

In the first day we did these wooden things this was to show we could cut a curved line then sand it down to cut a straight line and sand it and to be able to drill a hole. all very simple things but so that he could see we were able to use the machines safely with all goggles and bits and bobs on .

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In the next 2 weeks in the scheduled workshops then 2 weeks extra for me we then made this box. I really enjoyed making this box the techniques were old to me but the way we made the box was new and really interesting. We made a box with for sides a top and a bottom with no way of getting in to it, then we split the box where we wanted it split so dependent on how big we

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wanted the lid to be put the inlays in the box and had the top edges rounded off. I then stained the box till it was the darkness i wanted it i could of gone darker but i thought it would look nice a lighter stain, then i waxed it following the wise words of Mr Miyagi “wax on, Wax off’ which took me the best part of a day to wax it all. Then got a clasp decorative bits and hinges off ebay. fastened them on will little round headed screws and tacked the top decorative bits on and i fell in love with this box.

the workshop was really good fun and i found it really interesting the wood work there were new things that i got to do and then other bits that i knew how to do but it was still a very interesting workshop to be inducted into and i think that the box turned out really well for my first workshop.


wax workshop and vinamold

IMG_1360 IMG_1359 this was a small workshop we did with wax and vinamold. we had to make the vinamold first to be able to make a wax mould.